Review by Markus Hamence – Funny Girl. Performance date: Saturday 06 June 2026. The Arts Theatre, Adelaide, South Australia.
I’ve said it before, Adelaide’s talent pool is vast. It is extremely rare to see weak links in a production in regards to the cast and crew these days. This is yet another serving of top-notch theatre that is evidence of what I believe.
The Gilbert & Sullivan Society of South Australia has delivered a Funny Girl that sparkles with old-school Broadway charm while finding fresh ways to tell one of musical theatre’s most beloved stories. Under the direction of Amanda Rowe, this ambitious production embraces the heart, humour and heartbreak of Fanny Brice’s (Played by Barbra Streisand in the movie) extraordinary journey, creating a show that feels both grand in scale and deeply personal. The decision to share the role of Fanny across three performers – Sarah Hamilton, Olivia Sutton and Sophie Stokes – proves a fascinating and effective theatrical device, allowing audiences to witness the different stages of Fanny’s life through distinct yet beautifully connected performances.
I grew up on Barbra, and new her musicals like the back of my hand – A Star Is Born, Hello Dolly, Yentyl, Funny Lady and of course Funny Girl. I was ready to come in hard if required. It was NOT required. This show was flawless.
Sarah Hamilton brings warmth, vulnerability and vocal power to the young Fanny, capturing the determination that drives her rise to stardom. Olivia Sutton injects youthful energy and brightness whenever she takes the stage, while Sophie Stokes delivers a wonderfully mature and emotionally rich portrayal as Fanny faces the challenges that come with fame, love and sacrifice. Together, they create a complete portrait of a woman who refuses to let anyone else define her worth. Daniel Hamilton is effortlessly charismatic as Nick Arnstein (In the movie by the legend Omar Shariif), balancing charm and complexity as the relationship at the centre of the story begins to fracture beneath the pressures of success.
“Funny Girl dazzles with Broadway sparkle, powerhouse performances and a whole lot of heart and sublime talent.”
Markus Hamence
The supporting cast is equally impressive. Carolyn Adams brings heart and humour to Mrs Brice, while Thomas Sheldon shines as Eddie Ryan, combining strong vocals, comic timing and boundless stage presence. Wendy Rayner, David Kilsby and Nicholas Bishop provide plenty of memorable moments, and the ensemble maintains an infectious energy throughout, ensuring every scene feels alive and vibrant.
Musically, the production soars. Dylan Rufus’ orchestra delivers Styne’s iconic score with richness and style, allowing classics such as People and Don’t Rain on My Parade to land with all the emotional impact audiences expect. Kerry-Lynne Hauber’s choreography adds flair and spectacle, particularly during the larger production numbers, while David Lampard’s elegant Art Deco-inspired set transports audiences directly into the glamour of Broadway’s golden era.
Funny Girl is ultimately a celebration of individuality, resilience and the courage to embrace exactly who you are. The G&S Society has assembled a production overflowing with talent, heart and theatrical magic. It is polished, entertaining and emotionally satisfying from beginning to end, reminding us why this classic musical continues to resonate generation after generation.
The G&S Society’s Funny Girl doesn’t just tell the story of a star – it shines like one.
The season is now over. But, you bet I am already looking forward to their next world-class offering.
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