Lime Cordiale With Adelaide Symphony Orchestra

*Review by ****[Markus Hamence](/markus-hamence/)**** – ****Lime Cordiale With Adelaide Symphony Orchestra****. Performance date: Thursday 11 June 2026. Adelaide Cabaret Festival. Festival Theatre, Adelaide Festival Centre, Adelaide, South Australia*.

![](https://media.onyourmarkus.au/originals/43779/sfx358551-1024x335-1.jpg)

![](https://media.onyourmarkus.au/repaired/36d19671-a954-4dd8-950f-55ab428e871e/IMG_8460.jpg)

A week in and **Reuben Kaye**‘s **Adelaide Cabaret Festival** for 2026 keep on serving up the goods. This banger was NO EXCEPTION. This concert was purpose-built for a festival such as the Adelaide Cabaret Festival. **Lime Cordiale**’s collaboration with the **Adelaide Symphony Orchestra** was firmly brilliant, delivered joy, was ambitious and an utterly captivating evening that merged contemporary Australian indie-pop with the grandeur of a full symphony orchestra.

The second the Adelaide Symphony Orchestra took their place on stage beneath the direction of acclaimed conductor **Vanessa Scammell**, as per anything Scammell is involved in, there was a sense that this would be something far beyond a traditional band performance. Scammell, one of Australia’s most respected conductors, guided the orchestra with elegance (dressed in a stunning black gown), precision and infectious enthusiasm, becoming a vital bridge between two musical worlds. Her ability to draw warmth, power and subtlety from the orchestra allowed every arrangement to breathe while ensuring Lime Cordiale’s unmistakable chatty and revealing personality remained front and centre.

> “The Adelaide Symphony Orchestra didn’t just accompany Lime Cordiale; they swept every song into something richer, larger and wonderfully cinematic.”
>
> Markus Hamence

The Adelaide Symphony Orchestra proved once again why they are regarded as one of Australia’s finest orchestras. Throughout the evening they demonstrated remarkable versatility, shifting effortlessly from delicate string passages and cinematic textures to bold brass-driven moments that added thrilling new dimensions to the band’s catalogue. Every section of the orchestra contributed something special. The strings brought richness and emotional depth, the woodwinds added colour and playfulness, while the brass and percussion sections delivered moments of sheer exhilaration that lifted the theatre’s energy to another level.

For Lime Cordiale, the evening represented an opportunity to revisit familiar songs through an entirely new lens. Brothers **Oliver** and **Louis Leimbach** have always possessed an instinctive understanding of melody and storytelling, but hearing their songs expanded across the vast musical palette of a symphony orchestra revealed new layers within the material. Tracks that audiences have sung along to for years suddenly felt cinematic, expansive and occasionally quite moving. The arrangements honoured the spirit of the originals while offering enough surprises to keep even the most devoted fans engaged.

What has always made Lime Cordiale such a compelling live act is their ability to create an atmosphere that feels both intimate and celebratory, regardless of venue size. That quality remained firmly intact despite the scale of the production. The brothers’ natural humour, relaxed banter and genuine affection for both their audience and fellow musicians created a warmth that flowed throughout the Festival Theatre. There was never a sense of separation between the band and orchestra. Instead, the performance felt like a genuine collaboration, with every musician contributing to a shared creative vision.

Vanessa Scammell deserves particular praise for the way she shaped the evening. Conducting an orchestra while supporting a contemporary band requires a unique skill set and her leadership was evident in every moment. She navigated the dynamic shifts with confidence, allowing the orchestra to shine while ensuring the rhythm, spontaneity and energy of Lime Cordiale remained untouched. Her rapport with the musicians and understanding of the material elevated the entire production, helping create a performance that felt seamless from beginning to end.

> “With Vanessa Scammell expertly steering the musical journey, the Festival Theatre became a place where orchestral elegance and indie-pop charm collided in spectacular fashion.”
>
> Markus Hamence

The visual spectacle of seeing the Adelaide Symphony Orchestra spread across the Festival Theatre stage added another dimension to the experience. As sweeping orchestral passages wrapped around Lime Cordiale’s infectious hooks and irresistible grooves, the venue seemed transformed. Songs that may have once felt intimate and personal became widescreen musical experiences capable of filling every corner of the room.

What emerged was a reminder of the extraordinary possibilities that exist when artists are willing to step outside their comfort zones. Rather than simply adding orchestral accompaniment to existing songs, Lime Cordiale and the Adelaide Symphony Orchestra created something genuinely transformative. It was adventurous without being inaccessible, sophisticated without losing its sense of fun and grand without sacrificing heart.

The Adelaide Cabaret Festival has built its reputation on presenting unexpected artistic pairings and this collaboration stands among its most successful. With the masterful guidance of Vanessa Scammell, the brilliance of the Adelaide Symphony Orchestra and the charismatic songwriting of Lime Cordiale, the evening delivered a perfect balance of musical excellence and pure entertainment.

For one unforgettable night, indie-pop met symphonic splendour, and the result was nothing short of magnificent.

Wrapping it up: Under the inspired direction of Vanessa Scammell, Lime Cordiale and the Adelaide Symphony Orchestra transformed beloved indie-pop songs into a breathtaking symphonic celebration filled with heart, humour and musical brilliance.

⭐⭐⭐⭐⭐

Rating: 5 out of 5.